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How we eat vs What we eat

Oscar Foulkes October 6, 2025 Uncategorized No comments
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The culinary world is fixated on what to eat, or how to cook it. We’re all about ingredients, dishes and who’s doing the cooking. Oh, and the presentation of the dish. Food porn is a multi-layered thing.

How we eat it gets significantly less attention.

Tim Hayward wrote about the “dark secret but no shame [of] eating off the board”, giving voice to the need amongst some food lovers of shortening the distance between food preparation and eating.

It was as if Tim had reached into the pleasure centres of my brain to retrieve some of my best food memories. The most delicious pieces of steak are the ones I eat straight off the board while slicing. Carving a crispy-skinned, juicy-fleshed chicken is incomplete without popping something into my mouth before the platter is taken to the table.

It’s not as if the forkfuls that I raise to my mouth at table are not delicious, but something has been lost between board and table. There is also the consideration that some ‘treat’ parts of the chicken cannot be accessed any other way than by hand.

The toasted sourdough construction we make for lunch, having raided the fridge for assorted leftovers and jars, must be eaten straight off the board. Done solo, it’s the human version of rumination, an almost spiritual experience.

Food touches us to the core, including parts of us outside our consciousness. After all, our earliest food experiences predate our ability to remember stuff. We record early memories of flavours, textures and colours largely without remembering any of the situations in which we experienced them. What gets laid down is often on an emotional level, which means that our adult likes/dislikes can be strongly felt, generally without the ability to rationalise our feelings.

 Could it be significant that much of this happens at a time of our lives when we’re very oral? As toddlers we’re constantly putting things into our mouths.

Let’s just say that taste, or personal preference, is complicated.

The way we eat puts layers of rules and convention between ‘the food’ and ourselves. We sit at tables, with food on plates, intermediated by cutlery and the length of our arms. Adding to the disnature of our eating experiences are the hard, straight edges of the table.

Eating off a board takes us only so far in the process of disintermediation. A bowl is part of a sphere, rounded in three dimensions, a vessel which accommodates a diversity of dishes. Many of these can be eaten with spoon, which is my preferred implement for transferring food to mouth.

Picture the scene; someone is sitting on couch or perhaps even standing. Bowl is held in left hand, spoon (or fork or chopsticks) in right, putting the food into a kind of embrace, more-or-less at heart level. This feels to me to be much more natural than being sat at table with knife and fork.

The bowl versus plate preference also mimics nature, where curves are far more prevalent than straight lines. I may be a little obsessed about bowls; the ones in the image above were custom made as a family birthday present.

The slivers of steak we pop into our mouths while slicing represent just one food that we eat by hand. Ribs, chicken wings and others are much more efficiently eaten by hand. I’m wondering if part of the supposedly aphrodisiac properties of oysters is the method of eating, when they are slid straight from shell into expectantly opened mouth, juices perhaps spilling over chin.

Am I getting ahead of myself in suggesting that a shared platter of prawns, shelled and eaten by hand, is a shortcut to other intimacies?

Of course, I’m presupposing Western norms. I have no experience of scooping up food in a piece of torn-off naan or flatbread. However, I do think we are leaving pleasure on the … um … table if we never deviate from the knife and fork defaults.

In Praise of Retail

Oscar Foulkes August 20, 2025 Uncategorized No comments

The liquidation of my wine shops in 2002 was a massively stressful experience that affected me on a deeply emotional level for years to come. When I eventually was able to step back to look at the destruction, I could make a list of several basic business principles that I had ignored.

However, I’ve come to realise that what I learned from working in retail was much greater than the obvious ones.

I started in retail by selling a cancelled export order out of my garage. This bootleg operation eventually needed to become legitimate, in the form of a license to sell alcohol. This required premises, and if you’re paying rent, you may as well have a full-service drinks offering.

There were many things that I didn’t know that I needed to know, but I had worked out that I needed to learn more about wine. So was set in process an ongoing process of properly understanding wine, especially in a way that could enable me to take others on the journey.

Discover. Experience. Learn. Understand. Share.

This has been a pattern I’ve repeated many times in my life. I should mention that this process is front-loaded with a high level of curiosity as well as a willingness to embrace the unknown (not always with happy outcomes, as I discovered in 2002).

But, while wine has been a lifelong pleasure, this still wasn’t the most important lesson from being a wine merchant.

The thing about retail, especially when it comes to a product as subjective as wine, and when the product range is purposely comprising a large number of unfamiliar labels, is that the person on the floor – the sales assistant – has a very important job to do.

My most rewarding times in the shops were assisting customers in assembling mixed cases of wines for them to try. Armed with just a few minutes of chat, I had to intuit what their tastes and preferences were, as well as how to accommodate that as best possible within their budget. The exchanges may not have qualified as intimate, but they were certainly personal.

All my interactions with clients/customers since then have benefited from my retail experience of best matching their expectations. I am socially awkward in some settings, but the purpose or structure of the shop floor interaction helped to overcome the worst of it.

Having customers come back for cases of recommendations (rather than individual bottles) was hugely rewarding.

In terms of ‘rewarding’, nothing comes close to the upsell. This is the crack cocaine of being a sales assistant. Possibly my most successful upsell was converting someone from the purchase of a bottle of Pongracz (local méthode champenoise with a current retail value of about R200) to Salon, a Champagne that was then selling at a multiple of over ten times the price. Its current price is eyewatering; the multiple remains around ten, but in Sterling (taking it to a more than 200-fold multiple of the local fizz).

There was also the customer who wanted a chardonnay recommendation. At this time, I was doing direct imports and the price of Burgundy hadn’t yet exploded. Even so, there would have been a multiple of between five and ten times the price for the bottle of Premier Cru he took to a special dinner over the weekend. When he returned the following week we shared commiserations that very nearly were teary, because the bottle had slipped out of his hand and smashed as he walked into the restaurant.

Of course, not every customer who walks in the door is open to spending a few pleasant minutes putting together a selection of bottles to try. Some are just plain rude or are having a bad day. It’s not the sales assistant’s fault, but one must learn to charm or dance around the prickliness as best possible.

There are also the occasional times when one has cocked up. Service recovery is another valuable skill to learn.

A lot of time, though, shops can be depressingly quiet, when an hour can pass without any customers. If it’s a slow time of year, this effect is even worse.

Rather than standing around, getting more and more depressed, we’d move things around or build a new display. You might say that it’s no different to moving the metaphorical deck chairs, but it’s amazing what a little bit of proactivity can do to how one feels. It also ensures a more interesting store for the customers who do walk in.

Without diminishing the different forms of mental health issues, I’ve often applied a different version of starting a proactive or creative activity when I’m feeling down (for the record, the impetus for writing this piece wasn’t one of those; this is an idea that’s been rattling around in my head for a while).

Online retail has its own requirements for specialised knowledge – traffic, click-through rates, fulfillment and more – but none of them bring us face to face with human beings.

The internet is full of laments about people being unable to conduct basic social interactions because of all the time they spend online (or because of the ways in which they spend their online time). Of course, the more online shopping we do, the less retail employment is on offer, and therefore fewer opportunities like the one I had.

Even for people who have no intention of working in retail all their lives – or especially for them – it’s a great place to start.

A Rare Sighting

Oscar Foulkes June 12, 2025 Uncategorized No comments

The caracal appeared on the trail ahead of me, stopped to look at me for a moment, then walked on calmly. I briefly saw it again on the adjacent Kloof Road, closed to traffic since storms in 2023. Before I could retrieve my phone to take a picture, as suddenly as it appeared on the trail, the caracal disappeared.

The entire experience lasted no longer than a few seconds, but it was loaded with magic; the soundless, effortless movement of the sleek cat, the self-assured way it looked at me, and the way it just vanished again.

I have spent thousands of hours on my bike on Table Mountain. This was the first time I’d seen a caracal; best of all, it was no more than five metres away from me.

But, for over five hours, I forgot about the sighting. This may illustrate something about my short-term memory, but it perhaps has more to say about the way that our minds work. Maybe the most surprising aspect of this forgetting is that I am usually awed by interactions with the natural world.

My day started on our stud farm in Ashton. After my cocoa drink, I did my usual 20-minute meditation. I left the house at 7:30 – before sunrise – dressed warmly against the low single-digit temperature. I was in a good place to start the day.

I felt awe and wonder seeing the setting full moon low in the sky above the arid hills in the direction of McGregor while young horses crowded around me for attention. I scratched a few of them behind their ears or on their wither, their winter coats furry to the touch. The boldest of them nudged me for more when I stopped.

This twice-daily walk through all the horses is one of my favourite parts of the day.

Later, I saw a group of weanlings cantering together, their ears pricked. I got up to see what was holding their attention and saw a jackal dashing out of the paddock. I’ve previously seen what I’m assuming is the same jackal. Unlike the caracal, the jackal made its presence obvious by dashing out of tall growth. No calm or silent movement for this creature.

The further difference is that the stud is surrounded by vineyards. The closest veld is several kilometres away; the jackal has no business being here.

On my drive back to Cape Town I started getting messages about mountain bikers riding on a muddy section of trail we’re busy repairing, just above Kloof Road in The Glen. I was on my bike within minutes of getting home, to do an assessment of the damage.

The ride around Lion’s Head, descending on the newly maintained trail, was magnificent. As I started climbing again, I reached a man and his son who let me pass. It was gratifying to see them riding together on this upgraded trail. I felt less gratified by the ebiker who raced past me soon after, but once again it felt good to see cyclists using the trail.

I got off my bike when I reached the muddy section, pushing/carrying it the rest of the way to avoid damaging the trail. The final section, down some steep steps, is where I saw the caracal. I’m sure the sighting was only possible because I was on foot.

Seeing as I had my phone out, when I reached the bottom, I started typing a message to post on my various mountain biking WhatsApp groups, with a request to please not ride this final section. Before I could finish, the lad – demonstrating phenomenal skills – came riding down the steps.

His father followed soon after, when I had already started explaining why, for all his amazing technical skills, he shouldn’t have been riding the final section. It was polite, but it remained a telling-off.

I was in full class captain mode, simmering in a mist of indignation at their lack of consideration for riding on a muddy trail that is in the middle of maintenance (and marked with danger tape).

I was polite and measured throughout, but as I soon as they went on their way, I felt regret at the way I handled the situation. Fortunately, I have the father’s contact details, so I was able to send an apology.

Just one of the ways I could have done it better would have been to share my wonder at the caracal sighting that happened minutes before their arrival. However, the caracal had left my brain almost immediately after it disappeared off the trail.

There was further WhatsApp group chatter about inconsiderate mountain bikers. Outrage stayed high.

Not even the time spent cooking supper with my daughter, Sophie, who works on conservation-focused documentaries, could unlock my memories of the rare caracal sighting.

I was lying in bed, lights off, when I eventually remembered seeing the caracal. I was instantly in a state of regret. In that moment, and for hours after, I couldn’t have been further away from my early morning post-meditation state of mind.

Barring my own poor short-term memory, I am left with the role played by the way that indignation messes with our brains. We know that social media is toxic, especially when it is used to weaponise outrage. This was a personal experience of its impact.

Outrage is sometimes necessary, but it eclipsed my experience of awe and wonder. I lost something in the process.

The Rhythm of Bread

Oscar Foulkes May 24, 2025 Uncategorized No comments
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In lives mediated by screens, or cerebral in other ways, doing stuff with our hands is highly underrated. I’d go further, we need to get our hands onto/into things, whether it’s gardening, cooking or some form of craft or art.

My thing is bread. However, it would be more accurate to refer to the dough side of things, because what happens before it goes into the oven is almost all of what determines the quality of the outcome. And, while there is something particularly satisfying about holding a crusty loaf with the ‘spring’ that comes from a good rise, it’s the dough I get my hands onto.

For over 20 years, nearly all the bread we eat has been home baked sourdough. The progenitor of our starter was a bunch of Cabernet Sauvignon grapes that I crushed between my fingers and then left to begin fermenting spontaneously. When it started bubbling, I added some flour. This culture still lives in our fridge, although now many generations away from its vinous origin. It’s like a pet, quietly sitting there, providing emotional support via proxy, in the form of the bread we bake weekly. And, yes, like a pet, it needs to be fed on cue.

We once had house sitters who threw out the starter, thinking it was leftovers gone very bad. Fortunately, I had a backup in the freezer, so we could start again.

Aedan, my son, adopted the culture during lockdown. He took our sourdough game to another level, making so many practice loaves that he was forced to start a side hustle selling them. He also made extraordinary sourdough doughnuts and English muffins.

Armed with his improved techniques, the weekly bake became my domestic responsibility a few years ago, although to be honest, it’s more therapy than chore. Each batch happens over the course of three days, with key activities required on the two days leading up to baking. No step is very time consuming, but it must happen on schedule, so I kind of build my weekend (or days leading up to it) around the dough and baking process.

The magic that makes it happen is the yeast, a single-celled fungus that – literally – gives its life to every loaf of bread. In converting carbohydrates to carbon dioxide, it causes the dough to rise. Its metabolism is temperature sensitive, so I need to adjust the timing depending upon ambient temperature. The fermentation that is specific to sourdough both enhances the flavour of the bread and makes it more nutritious.

There was a time that I used a mixer, but I find that doing everything by hand is quicker and yields a better result. Plus, it’s a whole lot more satisfying.

Every motion of my hands is circular, whether on the horizontal or vertical plane.

The evening before I’m going to be mixing dough – roughly 36 hours before putting the loaves into the oven – I bulk up my starter, by feeding it equal weights of flour and water. Regular baking keeps the starter active, which results in a better fermentation.

The starter will go back into the fridge for the night, unless we’re in the middle of a cold spell. Then it may stay out. If it’s been in the fridge, I’ll take it out early in the morning. As it warms, the starter increases in volume. There are so many CO2 bubbles it almost looks like foam.

When it’s ready, I mix the starter with flour and water. The flour is carefully selected, artisanal produce.

After the first mix I leave it for the autolyse. During this roughly 45-minute resting period, the flour hydrates and the gluten starts to develop.

Next I add salt, mixing it through well. Again the dough is left for an hour or so.

Then the folds start. Every 20-30 minutes the dough is lifted, stretched and then folded on itself. It becomes more elastic as the gluten builds up. After four or five folds the dough is once again left. For these two to three hours, I’m housebound. I can run all the errands I want, but they cannot take longer than 30 minutes.

All these manual actions are a kind of communion with the dough as it becomes a living thing. I am guiding it through its life cycle, to the point where it has risen, while also building a structure that will retain its integrity when it’s baked.

The final step, and this depends on how quickly fermentation has proceeded, is the shaping of the loaves prior to placing them in the proving baskets. It can happen mid-afternoon, or early evening, depending upon temperature.

After many years of doing this, every manual step has a kind of rhythm to it, with the hands ‘listening’ to the dough communicating its texture and stage of fermentation.

The proving baskets go into the fridge overnight. On the third day, the bread is baked.

Everything takes as long as it takes. I am obliged to follow the lead of a unicellular organism doing what it’s programmed to do. I have to be in tune with the rhythm.

The pay-off is having delicious bread to eat and share, as well as the reward of the time spent with my hands on the dough.

A Whole Lotta Love

Oscar Foulkes May 15, 2025 Uncategorized No comments

It all started when I wanted to use the title of one of my favourite Rock songs as the name for a yearling filly. I thought she’d be good, so I wanted her to be appropriately named. However, before I proceeded, I thought I should check the lyrics, to see whether this name might come with inappropriate connotations. 

The sound of Whole Lotta Love is Led Zeppelin at the top of their genre. It’s an absolute banger of a track (although in this context “bang” is perhaps an unfortunate reference). The song’s lyric, sung by Robert Plant, “I’m going to give you every inch of my love”, is not an attempt to give love a unit of measurement. It’s clear what love means in this context. 

I immediately shelved the idea of calling my filly Whole Lotta Love.

Robin Thicke’s Blurred Lines, released 44 years later, pairs similar suggestions with a catchy tune and a NSFW music video. His lyrics just don’t bother to use the word “love”.

It’s a particular male fantasy of women with passive, suppressed or unspoken desires being fulfilled thanks to the physical attentions of a man. In this illusion, a woman is incomplete without being at the receiving end of a virile phallus.

Society does a crappy job when it comes positive depictions of sexuality and desire, so it’s not a surprise that the spokesmen – literally – are men (see above). Media attention is given to men with aberrant behaviour, like Jeffrey Epstein, Harvey Weinstein and others. Positive role models are the guys who quietly go about living good lives. No-one is going to write about them, and nor would they want to be written about. Plus, advertising has still not let go of the dictum, “sex sells”.

I had been sitting with this version of Whole Lotta Love for some time when my friend, Piet Viljoen, introduced me to a version sung by Tori Amos in 1992. She takes an anthem of male conquest and makes it her own. She is at once vulnerable, sensuous and assertive, perched on the corner of the piano stool as she turns to deliver the song to the audience.

In the genre of hold-my-beer, she takes ownership of the song, demonstrating that the women’s version can have equal power. It should be said that she makes use of just one instrument, rather than an entire rock band. She metaphorically grabs hold of the mic, giving a woman’s voice to the expression of desire. She does a ‘right back at you’ with the male-written lyrics (although without the use of “every inch of my love”).

Tina Turner was another woman to bring her own interpretation to Whole Lotta Love. Ironically with her abusive ex-husband Ike, she released a funk version that oozes sensuality.

Of course, Whole Lotta Love drew heavily on Willie Dixon’s You Need Love. Following legal action, the royalties are now shared. By comparison, Dixon’s version comes across as a piece of musical courtship, perhaps because of its blues treatment that is so wholesome you could almost smell the plate of fried chicken.

For a “right back at ya”, along with a resounding “hell, yeah!” we turn to the Highwomen’s If She Ever Leaves Me. Described by co-writer, Jason Isbell, as the first gay Country song, the lyrics depict the cowboy version of the male protagonist in Whole Lotta Love or Blurred Lines. He is described as “dancing her home in your mind”. The thing is that “she likes perfume”.

The object of his desire is not off-limits because of her suppressed or unspoken desires, but because masculine is not what she wants. It’s a proper reversal.

By their very existence, the Highwomen make a powerful statement, which they reinforce with their lyrically clever Redesigning Women.

Decades later, Robert Plant collaborated with country singer Alison Krauss on a couple of albums many degrees mellower than his Led Zeppelin years. The songs – some of them anyway – talk of loss and regret. It’s not an unexpected place for a duo of 70-year-old man and middle-aged woman to end up.

Another legendary British rock musician, Mark Knopfler, also collaborated with a country singer, the similarly legendary Emmylou Harris. In the track This is Us, they are looking through a photo album that records key moments in their relationship, together singing the chorus, “You and me and our memories, this is us.” There is warmth, poignancy and togetherness.

For all the lust and desire that may characterise match-ups earlier in life, perhaps the kind of love we need when we are old is that kind of gentle companionship, a height we can only reach when the foundations are built on decades of mutual respect and shared life. We grow together, perhaps a little like the way trees do, in a process called inosculation. Parts of trees – even from different species – literally fuse together as if they’ve been grafted.

Inosculation derives from the Latin, osculare, meaning “to kiss”. This is appropriate, seeing as a kiss is generally the first step to forming a bond. For the most part, it’s a moment of purity, the meeting of equals.

It’s a shame that our depictions of the love (or its proxies) that may follow the first kiss are so one-sided. Until, of course, we’ve been together so long that none of that matters anymore. That’s a whole lotta love worth having.

Mountains to climb

Oscar Foulkes April 16, 2025 Uncategorized No comments

I don’t do New Year’s resolutions, but by accident I ended up making a kind-of resolution.

I was going to write a post about the new training plan I’ve put in place this year. In the past, I’ve written extensively about my Cape Epic journey. I also took readers on my hypertension self-medication. In that sense, writing about the cycling I’m doing would not be unusual.

I started typing, but I was bored after the first paragraph. And if I was bored, I couldn’t imagine anyone reading with delight. So, I left the idea for a few weeks.

However, a set of events can hold multiple stories, depending upon how deep we dive, or the perspectives we hold.

I reached the first Sunday in January and realised that I had achieved 2000m in elevation gained in three rides. Something got the arithmetic cogs going in my brain, leading to the thought that maybe I could do 10 000m per month. All this coincided with Strava’s release of the previous year’s data. I saw that my total for 2024 was 67 000m of elevation gain. My retired friend, who rides a lot, came in at 104 000m, suggesting that 2000m per week would be more realistic than 10 000m per month.

With one quarter, plus two weeks, of the year completed, my elevation gain so far in 2025 is approximately 50% of the total for all of 2024. I am 2500m ahead of target, which leaves me with bit of a buffer should I have to take time out for illness or horribly adverse weather.

As a basic, rule of thumb, approach to training without a coach it’s not a bad one. High intensity intervals can be incorporated, as well as easy recovery rides. Most importantly, I’m feeling great on it.

So, what is the story outside the achievement of a higher level of fitness?

In my chosen occupation as a racehorse breeder (some would say passion project rather than occupation), almost every step involves chance and uncertainty. What percentage of my broodmares will conceive? How many will carry their foals to full term? Will they be born with everything in the right place? Will they grow up to be athletes? What will the crop’s split be between colts and fillies (colts are more valuable)?

The time lag between the making of mating decisions and the sale of yearlings is approximately three years, which requires more than a crystal ball. I have no idea whether the decisions I make now will still be good ones in three years’ time.

Assuming I get the yearlings to auction in one piece, I have very little control over the selling price achieved. That’s just the way auctions work. Yes, if one gets lucky, two determined bidders can push a price way beyond expectation, but that has not been my experience for some years.

What I’m getting at, is that I have an element of control over day-to-day management of the stud. However, when it comes to the big and important things that can happen (i.e. how much income I will get, and whether the horses will be any good on the racecourse) these are largely outside my control.

I think you can spot the attraction of setting myself a target of what I’m going to do on the bike every week. It’s 100% under my control. In terms of time commitment, it’s between seven and eight hours per week, spread over four rides. The longest day out could get up to three hours. Regardless of adverse weather or conflicting social commitments, I’ve gone out and climbed the metres.

Apart from the exercise of control, I have a weekly sense of achievement. When it comes to the horses I breed, the highs resulting from wins are extraordinary, but their occurrence is both irregular and unpredictable.

It’s not as if I wasn’t already getting out several times per week, but there were no measurables linked to the effort. No fixed parameters other than riding three or four times per week. No requirement to reach some target.

Having a measured target changes the picture.

Improved fitness has a linkage with my management of hypertension, so I have daily empirical guardrails.

There is another angle. Living with a constant simmer of uncertainty is so much more manageable if one can achieve a Zen or Stoic state. A long bike ride takes the body to a special place, both as a result of the endurance and the rhythmic pedalling.

Riding up and over mountains is a reminder that the goal is reached by keeping the cranks turning; by staying the course. Pain is temporary.

The final takeaway is that commitment to daily/weekly measurable and achievable actions is the best we can do when it comes to New Year’s resolutions (assuming one does that kind of thing, of course!).

The Right Trousers

Oscar Foulkes November 1, 2024 Uncategorized No comments

Our children have been saved from the types of clothing choices that were imposed on us by our parents. If anything, the roles are now reversed, in that our kids impose their choices on us. They are brand conscious in ways we never were, or for which we never had the opportunity.

If a hoodie was bought for us, it would have been because our parents deemed this to be an article of clothing we needed. Conversely, I’ve lost track of the number of premium-priced hoodies we’ve bought for our children because the brands were desired.

In truth, I can’t recall hoodies being a clothing option in the 70s, certainly not in South Africa.

I grew up with home-knitted jerseys made up of whatever wool happened to be in the house, wearing jeans bought in a size that allowed for growth. They were purchased, taken in, and then let out as growth required. Inevitably, the old hems would leave faded lines on the legs of the jeans, much like the growth rings on a tree. If the limit of ‘letting out’ had been reached, the jeans could be worn for a while with legs finishing comically high above the ankles.

Completing the ensemble would have been a home haircut (and it’s not as if my mother worked in a Vidal Sassoon salon). Somehow, we survived.

Fast fashion is not my thing. It should be no surprise that Uniqlo is my favourite ‘brand’, selected not because of the label, but because of the utility and comfort that comes at the price. Uniqlo is a brand in the sense of a delivered experience rather than the flaunting of a label.

Around 25 years ago I went through a period of wearing R.M. Williams trousers. Technically, given that I still wear one of them, the period has not yet come to an end. The others, literally, got worn to death, but this pair of brown moleskin jeans is still going strong something like a quarter of a century later.

They have shaped themselves to my body in ways that stretch fabric never could. Every time I pull them on, I marvel at their longevity; at the value of making things to last. Yes, they are faded, but they carry the signs of wear with pride (if clothing could have pride, of course).

Conceptually, my long-wearing R.M. Williams jeans aren’t greatly different to the taken-in and let-out jeans of my childhood, but at least they don’t have successive hemlines across the legs between ankle and knee.

At the time I bought these jeans, my daughter was watching Wallace & Gromit movies. In theory, these could have been made with similar animation technology as Pixar’s Toy Story, which came out at a similar time. Instead, Wallace & Gromit makes use of old-school stop motion, with the characters made of Plasticine, and it’s all the better for it. In fact, the creator, Nick Park, said: “Gromit was born out of clay, really. If he’d been designed by computer, I’d never have arrived at him.”

Don’t be fooled by the cutesy origin story. Actual labour – thousands of hours of it – goes into the making of these movies.

All of it is a piece of multi-dimensional genius, and that’s not just the 3-D of the characters. Take a look at the train chase in The Wrong Trousers, which has all the tension and excitement of a filmed action movie. I have to remind myself that it was shot in stop motion.

There are easy (or easier) ways of making animated movies. Similarly, clothing can be made to standards of much lower durability.

I don’t recall the cost of that first visit to R.M. Williams some 25 years ago, but I do remember it being what felt like an eyewatering amount at the time. However, it’s turned out to be a good value purchase.

We owe it to our future selves to continue supporting businesses that make things of enduring quality, even if our current selves baulk at the higher initial cost.

Going on Tour

Oscar Foulkes June 29, 2023 Uncategorized No comments

As a young adult in the mid-80s, I caught the tail end of racehorse breeders more-or-less taking over the Victoria Hotel for the National Yearling Sale. I did hear many stories, though, of the late-night shenanigans that went on in the decades prior. There is a sense of Nationals fulfilling the role of a tour, in the sports context, especially back in the day when the majority of the sale would have been supplied by breeders from remote parts of the Karoo. Perhaps the romance of the tour is part of what still draws breeders to Gosforth Park.

I could invite suggestions of who the main instigators of the rowdy behaviour may have been, but you know, what goes on tour, stays on tour.

On the subject of tours, a couple of years ago I inadvertently came into the possession of the tour diary of the Hamiltons Rugby Club Dynamiters old crocs tours. Spotting the familiar face of Marsh Shirtliff, I immediately got it back into safe hands. I suspect, though, that for all the anecdotes and pictures in the book, the most entertaining (or damning) stayed on tour. The Dynamiters tours are still going strong; this week they won the 11-a-side tournament in Phuket, with another racing personality, Wayne Mealing, in the team. By all accounts, these tours are legendary.

I had a little tour of my own this week. With us having just two weanlings on the Cape Racing Mixed Sale, I elected to pop them in the horsebox and transport them myself. The drive into Cape Town, on Wednesday, was somewhat eventful, but less so than if we’d got caught in Thursday’s mudslides.

One of the things that happens on tour is the special types of bonds that are formed when one spends that much time in proximity with the team. Of the two weanlings, one was sold (well done on your bargain purchase, Nigel Riley), while the Rafeef colt didn’t make his reserve and came home with us after the sale. OK, so he’s a horse and we didn’t drink a lake of beer together (and there was no fines meeting), but I definitely have the same sense of getting to really know his personality while on tour.

This guy took all this newness in his stride, bestriding the turf at Kenilworth as if he’d just won the Cape Flying Championship. He walked up and down as many times as he was asked, displaying his athleticism with a feline stalk. Throughout this, he remained as low-key as a churchgoing kid from a small town, while taking in everything going on around him.

For all the talking I did about his prospects on the Premier Sale in January, to be followed by an illustrious career on the racecourse, perhaps the most impressive thing about him was the way he took everything in his stride. In the stormy gloom of the late afternoon, when it the time came for us to go home, he walked up the horsebox ramp as if he’s an old hack that gets taken to shows every weekend.

A huge part of this colt’s behaviour is thanks to Kholiwe and Staci, the star grooms who took care of our weanlings. I am so impressed with their horsemanship, especially considering that both of them are new to this.

While the conclusion one could draw is that having women on tour leads to better behaviour, some may say that the whole point of a tour is NOT to be on best behaviour. As they say, “No great story started with someone eating a salad.”

On the other hand, if you call lucerne alfalfa, does it qualify as a salad?

Chasing Dreams

Oscar Foulkes October 4, 2022 Uncategorized No comments
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There are a several inherent problems in making movies about horse racing. The first of these is that it’s hard to simultaneously capture both the euphoric highs of winning, and the reality of the day-to-day. Also, when it comes to anticipated outcomes, Hollywood is much better at keeping the tension going when there’s a knife/gun-wielding invader with evil intent wandering around a dark building, than in a dramatised horse race.

It’s not a successful genre. I’d rather watch the grainy footage on YouTube of Secretariat’s record-setting romp in the Belmont Stakes, than the movie that was made. In fairness, having said all of this, I should go back and re-watch Phar Lap, Sea Biscuit and Secretariat.

This is a long way of getting to the point that Chasing the Win does a great job of showing you what it’s really like to be connected with racehorses. The official summary goes like this:

“Chasing the Win is a feature length documentary film that follows the meteoric rise of a rookie trainer, a long time owner, and their beloved racehorse after an unprecedented victory thrusts them into the global spotlight of horse racing. Success and fame are followed by the hard hitting reality of what it means to survive in the Sport of Kings.”

The driving force behind the excitement of being connected with racehorses is that success is not guaranteed, no matter how much money you spend. Owning a bigger yacht or faster car is a linearly predictable application of cash. Certain highly professional, well-funded outfits often outperform the averages, but success is never guaranteed.

In some cases, the biggest successes are the products of projects that were started decades ago. A case in point is Kirsten Rausing’s 2022 Arc winner, Alpinista. Rausing bought her fourth dam (that’s great-great-grandam) in 1985, channeling childhood learnings from her grandfather.

Competing for the same prizes are people of lesser means, who are driven by the same dreams. It happens more often than you’d think that the horse owned/trained/bred by the ‘small guy’ beats the one representing the elite. I should mention that the Irish loom large in all of this, with their affinity for horses.

Back to Chasing the Win, with its cast of Irishmen, led by the Sheehy brothers from County Kinsale, who have owned horses in the US for many decades, trying to find champions on a shoestring budget. Their horse Kinsale King has not shown any form as a young racehorse, and they turn him over to another Irishman, the struggling small-time trainer Carl O’Callaghan, who sorts out his issues and gets him winning.

The documentary opens with Kinsale King’s famous win the Dubai Golden Shaheen against the world’s top sprinters, following the horse and his people to the world’s top race meetings.

As someone who has owned shares of racehorses for many years, I can vouch for the authenticity of the story. A 1200m race may last just 70 seconds, but there are many hours of preparation and anticipation that go into it.

During the time that our horse Sergeant Hardy was racing, I had equivalent aspirations. He began his career as the underdog, with serious breathing issues, and nevertheless proved himself to be the best sprinter of his crop in South Africa. If African Horse Sickness travel restrictions weren’t an issue, I’d have actively pursued an invitation to the international race meetings in Hong Kong and elsewhere.

The film’s co-director is the owner’s daughter, Laura Sheehy, which may account for the authenticity of the behind-the-scenes stories.

I watched Chasing the Win on YouTube (here’s a link to other options).

Magic in Process

Oscar Foulkes September 11, 2022 Uncategorized No comments

I get all kinds of responses from people who hear me speak for the first time. I don’t blame them – before I open my mouth, I’m never entirely certain exactly what sound will come out. Usually, people think I have laryngitis. Once, a Woolies cashier openly laughed at me, and I often have call centre employees call me Ma’am.

I would have thought that the name Oscar is a big enough clue as to my gender, but hey, who knows these days?

At several points since 2006 I haven’t been able to do anything other than whisper, so I take this as a win. Being saved from phone calls is also a win, but it can be extremely frustrating to ring someone’s doorbell, and for them not to be able to hear me over the intercom. Joining in on dinner table conversations was generally impossible, and I went through periods of actively avoiding parties or restaurants. Even now, I often prefer to remain quiet.

I was once on my way to have a meeting with someone called Luke. At the entrance, the security guard asked me whom I was there to see. I don’t think he saw the humour of my Darth Vader-ish voice telling him I was there to see Luke (“I am your father, Luke”).

From about 2003 or 2004, my voice got progressively more hoarse, until I lost it entirely, in 2006. The cause of this was found to be cancerous growths on my vocal chords, and since then I’ve had six surgeries, as well as a six-week course of radiation. Vocal chords are extremely sensitive bits of equipment; while these treatments have left me without cancer, I have extensive scarring. Hence the voice.

There was a time that I referred to myself as the Boardroom Whisperer. My brother called me Il Voce (the voice).

Before this started, I had already started reading the Harry Potter series to my daughter. The growing hoarseness was progressive, but I just kept going, complete with made-up voices for all the main characters. Believe me, you’d rather listen to the Stephen Fry reading Harry Potter, but we’d already started, and even though she was perfectly capable of reading The Deathly Hallows herself, we had to finish it the way we’d started. The main problem was that the final book was more than three times as long as the first!

Books are a process. They have a defined structure, complete with start and end points. Words make up sentences. Sentences make paragraphs. Paragraphs make pages. Pages make chapters, and chapters make books. One step follows from another. Small bits cumulatively make something big. This also works in reverse for people writing books. Even writing just 500 words a day can be life changing for an aspirant author.

The point of this is that all of us who loved the Harry Potter books got completely drawn into the world of supernatural powers. I’m here to tell you that every one of us has superpowers, and they don’t require the use of spells, or finding horcruxes.

There is magic in process. Let me give you an example.

By the end of 2015, my surgeon had decided that he couldn’t keep cutting away at my vocal chords. He prescribed a six-week course of radiation, which resulted in the worst pain I’ve ever experienced. I lived on soup and morphine for something like two months in the first quarter of 2016. At the end of it I’d lost nearly 15% of my body weight, and it’s not as if I ever had much in reserve.

I already had an entry for the 2017 Cape Epic, which was almost exactly 12 months after I finished radiotherapy. I was a keen mountain biker, so it just seemed like a simple process of starting to ride again, and the rest would fall into place.

After my first few rides, I realised that this wasn’t going according to plan. In fact, I felt so bad on the bike that if I didn’t have the objective of getting fit for Epic I might have stopped right there. I could barely cycle around the block, and even the tiniest bit of exertion had me sounding like Darth Vader because I could barely breathe.

I went to the Sports Science Institute for a proper training programme. I stuck the programme onto the fridge, just as I had done with the schedule for my 33 radiotherapy appointments, and I followed the instructions to the letter.

13 weeks later, I completed the four-day Imana Wild Ride, along the coast from Morgan Bay to Umngazi, which is one of the most awe-inspiring bits of landscape in South Africa. I can highly recommend the experience!

Training continued from August until March, and then we rode the 2017 Cape Epic. It’s one of the toughest mountain biking stage races in the world. Over the course of eight days we covered nearly 700km, climbing 15000m. My body had got stronger, but I still made a lot of noise when breathing. I can’t tell you how many times fellow riders offered me asthma pumps, or how many times they rode ahead to let my partner know that I might be in trouble.

That we reached the finish line is a testament to the power of following a structured training programme – in other words, the Magic of Process.

After finishing Epic, I discovered that I’d trained for – and ridden – the event on something like 50% of my breathing capacity. It’s not quite the same as breathing through a straw, but it gives you an idea of the effect. Sometimes it’s better not to know things like this, because I might not even have attempted it if I’d known about this limitation.

I need to tell you a bit about my riding partner, Piet Viljoen. We met as a result of a blog I posted in February 2016, entitled Will You Be My Epic Valentine? At that point, I could barely whisper, I certainly wasn’t strong enough to exercise, and I still had nearly a month of treatment left. Piet, on the other hand, was about to run the Two Oceans Ultra, was in training for a full Iron Man, and would go on to do a bunch of extreme endurance events in 2017.

Piet is a value investor, but even a ‘reversion to mean’ model would have had difficulty forecasting the extent of my recovery. In my darkest days, I was the equivalent of buying into African Bank while it was in curatorship, or purchasing Greek bonds under threat of default. We couldn’t sensibly cycle together until the end of 2016, and yet Piet didn’t waver. His level of commitment puts his immediate “yes” on the level of “I do”. I have spent many hours looking at the back of Piet’s RECM cycling kit, with the strapline: “Follow your conviction.” Even if I’ve been the one doing the following, I can tell you that the conviction part is real.

And this was on the back of a brief coffee meeting with someone who until that point had been a complete stranger. It says a lot for the power of making a choice … and sticking to it.

I can tell you that it makes a HUGE difference to share a challenge with someone who has the kind of values, energy and commitment that support your objectives.

Far from the 2017 experience scaring us off, we repeated Cape Epic in 2018 and 2019.

There’s a little bit of synchronicity to my Epic story, in that a racehorse I co-owned with my mother, Sergeant Hardy, was at point the country’s top-rated sprinter despite having impaired breathing. Our Cape Epic team name was Hoarse Power (with an ‘a’), and we rode the first one in pink kit that was inspired by my mother’s racing colours.

There are a number of other learnings from the experience of riding Epic, or indeed any other endurance event. The simplest, and most obvious, is that as long as you keep turning the cranks you will get to the finish. What I’ve also learnt is that pain is not permanent. While you’re working your way up the mountain, it may feel as if the pain will never end, but before you know it you’ll find yourself having fun on the descents.

This is a phenomenon I’ve experienced in all kinds of real-life situations. Those feelings of difficulty pass. Whether it’s the “are we there yet?” of long journeys, or troubled times, they all pass.

A few months ago, I even found myself applying ‘Epic Mind’ during particularly unpleasant root canal treatment.

Attitude is a big contributor to how we deal with the stresses and difficulties that we encounter. Do we turn molehills into mountains, or the other way around?

I can’t point to empirical evidence, but I believe that one of the things that has helped me is that since the age of 17 I have meditated for 20 minutes twice a day. That’s well over 8000 hours of being in a deep state of relaxation. The daily benefits are release of stress, greater clarity of thinking, and better sleep, and I believe that the effects are cumulative. Whether this has helped me to be more resilient, I don’t know, but I couldn’t imagine living my life without it.

Every moment we’re alive, we’re being invited to answer the question, “What action are you going to take next?” The most obvious benefit of taking part in a series of directed actions – or what one could call a process – is that we are more likely to move closer to our objective.

The second benefit is that it’s very hard for us to feel that we’re victims when we keep taking conscious actions. There are times we may feel that we have no power, but the one thing that no-one can take away from us is the choice of how to respond. Even if all other power has been removed from us, we still have control over that choice.

A structured sequence of actions may seem like an extremely boring way of doing things, but it has a knack of delivering results … almost as if by magic.

What I like about having them listed on a sheet of paper on my fridge is that there’s no negotiation. Especially when it comes to training, if there isn’t a programme or plan, one can easily create all kinds of reasons to justify why one shouldn’t get onto the bike.

I like that the programme’s daily steps are binary. Either one has done what’s required, or one hasn’t. The power of those daily steps is cumulative. Each increment brings one closer to the objective.

By making each step manageable, we get positive feedback on a daily basis, which reinforces commitment to the process. People who work in the field of motivation recommend having a mental picture of oneself as the complete article. So, if I visualise myself as a Cape Epic finisher it’s easier to follow the actions that will get me there.

But this thing isn’t just about visualisation, or working my way through lists posted on the fridge. There has to be an element of selfishness to the way I allocate my time every week to make sure that I do the training that is required. Plus, if I have to be on the bike early on a Sunday morning I’m not exactly up for a big night of partying on a Saturday. In this respect, I’ve been extremely fortunate to have the buy-in and support of my entire family.

The other key person in the process is my coach, Erica Green. She may not be pedalling the bike, but she is as invested as each of her athletes.

The point is that we’re better off with a network of support around us.

While planning this talk, I’ve had the thought that it might have greater impact if the person standing here were an Olympian, or had national colours. However, that could create a disconnect because of the athlete’s superior capabilities. It could make the achievements seem out of reach.

I’m just a regular person. I didn’t start this with superior physical abilities.

Apart from the proper preparation, the one thing that all endurance activities share is the endurance part. Basically, no matter how tough the going gets, one needs to have the mental power to keep going. Mind over matter is a ‘thing’.

My friend Jonno Proudfoot, who swam from Mozambique to Madagascar, talks about creating a web of accountability, in which you are so committed to key people and sponsors that giving up is just not an option. This is the power of not just making the choice to tackle a challenge, but also telling family and friends about the decision. Once you’ve added sponsors and a support team, there are a LOT of people that you don’t possibly want to let down.

If you are well enough prepared, and pace yourself properly, you’re unlikely to find yourself in the zone where it’s too hard to keep going. However, even with the best preparation, there are days when the conditions are adverse, and you have to dig deep. When this happens, there are just two things to think about:

  • firstly, by maintaining movement you keep getting closer to the finish … in other words, what is the next action I need to take
  • secondly, giving up is not an option

Sometimes you just have to ‘vasbyt’.

Each of us has different dreams at different times in our lives. Putting together a series of directed actions is the magical process that turns dreams to reality … no wands required!

It was through reading to my kids that I discovered Dr Seuss’ wonderful book, Oh The Places You’ll Go. I highly recommend that you go out and get a copy, but I leave you with the first two paragraphs:

Congratulations!
Today is your day.
You’re off to Great Places!
You’re off and away!

You have brains in your head.
You have feet in your shoes.
You can steer yourself 
any direction you choose.

(This was a talk I presented in 2018, with update reflecting the third Epic, in 2019)